200 Book Reviews Frequently Auto-Approved 2016 NetGalley Challenge Reviews Published Professional Reader

Tuesday, February 04, 2020

Des Américaines à Paris 1850-1920 by Gérard Bonal

Des Américaines
à Paris 1850-1920 by Gérard Bonal is another intriguing book by Editions Tallandier.
A big impact in french culture and vice-versa has had the American community in France and in particular in Paris. 
Why choosing first of all Paris during that decades and century? 
When, at first, the first and wealthy Americans afforded to Paris it was mainly because the capital of France could give them the best in terms of universities, in particular medicine, or school of arts, still not yet too defined in the young USA.
Not only: in the USA people breathed a lot of puritan spirit and sometimes it was not so accepted when people were creatives and when they desired to breath a different kind of freedom without to being judged; just the idea of express themselves helped the American community to embrace Paris.
As the author remarks, these people found freedom, every kind of freedom in Paris. Artistic, individual, sexual, developing also a best identity of the self. Yes, Paris was also choosen by all that homosexuals that in their land could not express their identity. In Paris in this sense l'amour was intended in the largest meaning and lesbians and gays were largely appreciated. Not only: Paris was also the cultural center of the world, thanks also to the arrival of so many other brains of a completely different continent.

The same William Butler Yeats remarked the concept  writing that "From Paris we have seen all the biggest artistic and literaries influences." In Paris during that period you could meet wonderful painters, dancers, writers, and many more creatives all excited by the idea of demonstrating their talent, and the idea of a best future thanks also to the good influence of Paris in their existence. 

Paris sometimes was a phase in the existence of these people; sometimes a place where they spent their entire existence or most of it. Let's think at Gertrude Stein and her companion Toklas. The book will give a large coverage at this influential woman. Substantially Stein created several important creatives like Pablo Picasso, a sort of obsession to her, but also Ernest Hemingway. Let's remember that the idea of giving up his activity of journalism was mainly dictated by Stein and her ideas regarding the future of the beloved writer.

Augusta Klumpke will be one of the main character analyzed in the book and it will be the first female of working in an hospital. The first women, you will see also other portraits of American girls studying medicines were mainly bullied by their young boys, colleagues of faculty. A prestigious Boston's journal, the Boston Medical and Surgical Journal remarked that women had not to study medicine, because « nerveux ou excitable », les femmes ne sont « pas taillées » pour ce métier.  This topic, this work needed a mind and a body completelu different. The one of a man. 
Women were still seen as pretty moody creatures.
Dorothea the sister of Augusta later became at La Sorbonne the first female Astronomer. 

Various chapters will be dedicated at Edith Wharton in Paris when the first World War started and the idea of an American Hostels for people in need. These destinies, as writes Bonal created a new energy at the cultural way of Paris during the XX century.

The first ones, long biographies, plenty of anedocts, of affording to Paris were Emma Hart Willard and Elizabeth Blackwell. The first one was a teacher with clear ideas regarding education. She founded a school only for females in the USA. At the age of 43, paying a pretty expensive ticket, thanks to a ship and a long trip, a voyage long more than 40 days, she afforded to Paris. Oh: it was a shocking, wonderful discovery. She described the Cathedral of Rouen as a "Feeling so sublime, too much intense for a human soul."
Elizabeth Blackwell was born in Cincinnati and was searching for good schools. Miss Blackwell thought that predjoudices regarding a work were too silly and she became a doctor. You will read her history: she made a lot of sacrifices but she became one of the most known obstetrician of the time, keeping proud her adoptive country, France and the USA. 

Another story was created by painters. Mary Cassat was 7 years when at first arrived in Paris. Although studied later in the USA arts she thought that visiting Europe was indispensible (I agree), and she left the USA for Paris although she left behind angry parents.
Mary spent most of her time in the Louvre, she joined  Paul-Constant Soyer at the Atelier de formation artistique. She discovered most of Europe, Italy, Spain appreciating Nipponic art. Anne Gould was a very rich lady and her story I am sure will intrigue you a lot like also the one of Mary Plummer. In particular the second history is symbolic of the end of a marriage. Georges Clemenceau and Mary Plummer started their wedding very well. Just... As often happens Clemenceau had a wonderful career and Mary was kept in a beautiful place, taking good care of her babies, all alone and profoundly unsatisfied. The involvement of children in this story remains pretty shocking.
When Mary died this one an extract of the letter sent to the brother of Mary by Clemenceau: "« Ton ex-belle-sœur a fini de souffrir. Aucun de ses enfants n’était là... » "Your beautiful-once sister ended her sufferances. No one of her children are with her..."

Anna Klumpke, in Paris for serious reasons, painter of portraits and Rosa Bonheur is absorbing like also the one of other wealthy ladies. Beautiful the biography of Winnaretta Singer, daughter of mr Singer and later a french Princess, precisely a Polignac.

Absolutely stunning is the portrait of Romaine Brooks, born Béatrice Romaine Goddard; this lady will marry mr Brooks intending to keep their wedding unconsumed. After a while they divorced and at the end she discovered a different freedom with a different last name. Mrs. Brooks appreciated Paris but also Italy, Capri, where stayed various times feeling all the times she was there a profound change into herself and her feelings for this sunny place. Sometimes she researched places where to stay where there was less happiness, more grey, like London exactly as her soul was, but Capri remained in her heart as one of the best place visited and where she stayed with more joy.

One of her most important and profound friendship was with D'Annunzio when the so-called Vate was in London. To everyone Brooks became Cinerina.

These ones some of the names of people afforded to Paris in the early XX to Barney and his book Memoirs of a European American.

Lucie Delarue-Mardrus, Colette et son deuxième mari,Henry de Jouvenel, Élisabeth de Clermont-Tonnerre, Jeanne Galzy, Guillaume Apollinaire, Jean Denoël, Germaine Beaumont, André Rouveyre, Aman-Jean, Rainer Maria Rilke, Paul Valéry, Joseph-Charles Mardrus, le traducteur des Mille et Une Nuits, Dolly Wilde, the nephew of Oscar, Milosz, Ezra Pound, Jean Cocteau, René Crevel, Francis de Miomandre, Robert d’Humières, translator of Ryduard Kipling, Édouard de Max, Berthe Bady, Raymond Duncan, Pierre Benoît, Marie-Laure de Noailles, Mme Catulle Mendès, Ernest Hemingway, James Joyce, André Gide, Sylvia Beach, Adrienne Monnier…


Beautifully attracting, I highly recommend to everyone this book. 

I thank Editions Tallandier for the copy of this book.

Anna Maria Polidori 

Sunday, February 02, 2020

Write Better A Lifelong Editor on Craft, Art, and Spirituality by Andrew T.Le Peau

Write Better A Lifelong Editor on Craft, Art, and Spirituality by Andrew T.Le
Peau is a book born for and with a necessity: divulging the lessons learned by mr. Le Peau during these past 40 years of writing, teaching to other Christian writers: the best modality for a good approach in Christian non-fiction and the best way of writing it.
Le Peau confesses that when he was little he didn't love to read at all, but he must thanks his two siblings and teachers if he became an avid reader as well.
The book is divided in Three Parts: the first one, the art of crafting will immerse the potential christian writer of non-fiction in the art of creation of a book. The second part involves The Art of Writing while the Third One The Spirituality of Writing.

It's a quick reading, but plenty of suggestions, tips, quotes about writers of fiction for let you give you an idea of what, other famous writers of the past or present thinks about writing. I loved the test for thinking divergently but also all that advice in grade to create a new shape of creativity in the daily stressing life of a writer.
I found reassuring the chapter about grammar and how to use it, like also how to use a good metaphor to give a more powerful structure at the lines. 
Most important adds Andrew is to find "your own distinct way of writing."
Why this? Because sometimes searching to imitate a famous writer doesn't pay and it's better to search for your own writing-style. Let's remember that the way of writing represents also a sparkle of our personality and character. Why hiding it putting a mask?
A chapter I guess you'll find intriguing as I did, is the one of autobiography.
"We write. People choose to listen to us, follow us, maybe even pay money to support us, to hear us speak, or to buy our books. They give us the gift of the measure of authority in their lives. That is a trust we need to handle with care" adds the author.

Written with simplicity and with the idea of being helpful to everyone, I suggest this book to everyone and in particular of course to all that potential writers still confused about what to write, how to write, where publishing etc.

I thank NetGalley for this ebook.

Anna Maria Polidori 

Friday, January 31, 2020

The 2019 Best American Magazine Writing Edited by Sid Holt for The American Society of Magazine Editors

The 2019 Best American Magazine Writing Edited by Sid Holt for The American Society of Magazine Editors
this year has an introduction by Adam Moss. Mr. Moss explains his profound, big love for magazines since he was very little and how, the opportunity to find in various places magazines to be read, with their own differentiations was to him reason for being happy and constantly informed. What read Moss were beautiful magazines: from the New York to the Esquire. Later Moss worked in the journalistic sector.
To him every single age of the journalism with troubles, with problems that the profession has always had, is the goden age; from the richest golden age one, passing through this age, characterized by the advent of the net. In this sense Moss describes very well the birth of the net and the hope for the future. Not only but also the diffidence developed after a while by reporters and editors; the collapse   progressively more rapid of a solid world, with solid certainties. 

The disgregation of many realities; the death of wagons of little magazines because simply people, stores, brands big and little, were not interested anymore to seeing their publicity in a printed magazine. Not only: readers became less loyal with their favorite magazine; news could be found in the net.
Some big realities thought that investing in online editions would have paid much more. It was the beginning of the end as the journalistic profession was known and a new start; the beginning of something new: for this reason for Moss also this one is the golden age of journalism, ready for new fights that must be won. After all it's impossible to disagree: we will continue to reporting what happen in this world in every possible way.
This series born in 2000 in 2005  started to be published by Columbia University Press, although the story of this prize is more old: the 1960s! This prize was born for being a sort of counterpart of the Pulitzer Prize. What this award have always searched is this: what makes magazines special? It sounds a simple question but behind this question there is never a simple answer. Using this criteria this year 275 realities entered the National Magazine Award. 300 judges, 67 organizations received nominations led by the New Yorker with nine.
Reportage, opinions, commentary, there is all you can want; this edition portrays the historical moment with all its contradictions. 
We find in the book articles of ProPublica copublished with New York, the Marshall Project, the New Yorker, The Atlantic, but also the National Geographic, Mc Sweeney's. Pieces are about policy, gender, prison, possibility of a different destiny leaving old and dangerous friends behind (with weird surprises in the while), ecology, death.

Enjoy the reading, magazine lover!

Highly recommended.

I thank Columbia University Press for the physical copy of this book.

Anna Maria Polidori 

Sunday, January 26, 2020

The Ferrante Letters An Experiment in Collective Criticism by Sarah Chihaya, Merve Emre, Katherine Hill and Jill Richards

The Ferrante Letters An
Experiment in Collective Criticism by Sarah Chihaya, Merve Emre, Katherine Hill and Jill Richards is one of the most new intriguing books published by Columbia University Press.

Four women of letters decided one day of writing a book, exchanging their own critical letters through a fertile and absolutely captivating correspondence with the other participants, analyzing a saga of an author that they would have picked up. Choices were immense as you can imagine, but at the end their attention fell on the books written by mysterious Elena Ferrante. 

The book is divided in three sections. In the first one you find the correspondence of these four teachers, the second are various essays that I know you will find extremely interesting and at the end in the appendix, letters written by people involved in this conversation about Elena Ferrante and her books thanks to the authors's invitation.

I read recently a book where the author admits that the best of writing is this one: the possibility of re-capture the past, resuscitating it, for setting people free; in a way or in another a writer heals problems, re-putting in the correct order the events of a life-time; this process means sharing informations, feelings, honesty in the narration. It should be all the time in this way.

Sure, these authors articulate, sometimes  a writer can be "dishonest." A writer, as also admitted these teachers sometimes can't be loyal: first of all this friend, as Elena is  knows Lila so well? She can changes fragments of the story for keeping the novel more interesting. 
Is it true the portrait donated us by Elena? It depends; surely is more real than not a tale written maybe by someone who hadn't never met that girl but that had just heard of her.

Friends remain in grade of perceiving, capturing the soul of another person and they can guess, understand, feelings, emotions, and emotive state; why? Because they are "in love" in a completely different way, with and for another soul. What a friend searches in another person is that pieces in grade of completing her/his character. A friend is a discovery, a powerful engine.  

Sometimes being friend is searching for someone completely different from us as it happened for Elena and Lila.

Lila and Elena were two different universe, but not because, after all, there was a great difference in their existence; more or less their life, people they met in a daily base were the same ones; but yes, the family of Lila, was more practical and less intrigued by school, education and a possibility of bettering the existence through culture. Lila was very intelligent but no one in her family invested in culture. This one was perceived by them like another language.

Lila at the end will prefer a more practical life, the one every daughter born in that district of Napoli would have choosen because the only possible one. 

Elena is absolutely absorbed by the violence, brutal character of Lila, when she meet her the first one and they are little; and she is powerfully attracted by it.
Lila feels the necessity of being strong every second of her existence. Elena is passive regarding life. She is simply an observer, while Lila acts, acts every second of her existence. 
To Lila, my point of view, being a prepotent and feareless girl means to her trying to giving back to life the answer to the existence that that same life donated her; her answer to the asperity of an existence that, she understood, wouldn't never been too pleasant.

Errors committed by Lila has been maybe the common consequences of choices she made for trying to stay more happy with a man plenty of money, without asking too much to her existence; but that one will be just the beginning of other tribulations.

The two girls read together Little Women when still at the elementary school, and it was for them a formative book: they imagined a beautiful existence, where they would have been in grade of reading but also writing many books, telling stories. They both fell in love for Jo March, the girl more independent, more free than the rest of the other sisters March. Amy was in love for beauty; Meg was the perfect little woman devoted to the house; Beth the sweetest one.

The authors will write a lot about the idea of disappearance; disappearing without existing anymore is possible? Under many ways, maybe for the person, but not for the rest of people who touched that existence. As you will read the result of this conversation will be absolutely touching.
What we know for sure is that Lila, tormented by her sad past, had a desire: leaving  this world for good, every single cell of her body deleted from the stage of life.

An author of this book arranged an interview with mysterious Elena Ferrante, without, after all obtaining a lot of answers. She tried to contact her via the American publishing house, (they declined at first the interview and later, accepted it) via Ann Goldstein American translator of the Ferrante's books.

Personally I discovered the Ferrante's world for case. Ann Goldstein, American translator of all the books of the Ferrante's saga was in Umbertide, at Civitella Ranieri for a meeting two years ago. What attracted me of that lady, so skinny, and with a sweet face when I received the newsletter with the invitation, was just a fact, I confess: she was once a co-editor of the The New Yorker. I read that magazine when I find it, and to me is one of the best ones in circulation. It's a temple of the American Journalism, and I wanted to see who could be a co-editor of that immensity. Personally, I didn't know anything of Elena Ferrante; I didn't know who that italian writer was and obviously when I introduced Anna Maria to Goldstein, from her face I understood I mispelled the name of Elena Ferrante: not having heard that name before I didn't feel any shame. 

Beautiful book! For everyone, if you are new at the Ferrante's world this one will be a great introduction. If you read the books it will be a formative reading and a possibilily of seeing the story under many different ways thanks to these authors that won't leave any voice apart.

Highly recommended.

I thank Columbia University Press for the physical copy of this book.

Anna Maria Polidori 






Saturday, January 25, 2020

Christmas Eve by Verna Hargrove

Christmas is magical. When you think to Christmas Season memory return invariabily at childhood and Christmases spent all together; big tables, with wagons of relatives, ton of food waiting for people, and a joy and happiness that it was simply unique. Also the mass was synonime of beauty and solidarity and people, all people sounded and were more happy and jolly than usual. The Christmas Spirit.

Christmas Eve by
Verna Hargrove aka Summer Lee is a short tale describing the most perfect Christmas of all her life, when she was little, her family a bit poor but everything was perfect maybe also thanks to the complicity of age, parents, a nice, kind Santa Claus, Christmas cookies baked in particular for making happy Santa Claus. Presents, the ones waited by her and her sister, everyone was happy and cheerful. I noticed this tale when I opened my Amazon Fire. I was searching for a quick reading and considering that we closed Christmas just a month ago I thought that it would have been perfect.

I downloaded this ebook through Amazon.com

Enjoy it!

Anna Maria Polidori 

It's Christmas, Carol! A Short Story by Sara-Lisa Andersson

It's Christmas, Carol! A
Short Story by Sara-Lisa Andersson will be a tale that will let you cry, because moving.
Sometimes Christmas is like pictured by the author: a messy period of the year. You wait for the best, and everything goes wrong. Personally it's more than 10 years that Christmas presents us always some little or big problems every year. I don't know when this curse will be over (last year we did not experience anything bad thinking better), I learnt with the time that at its arrival all problems fly away. 
It's impossible not adoring this feast, for the simple fact that it presents magic, and it's plenty of magical signals: angels, Christmas Trees, colors, from music to Santa Claus, the birth of a Child: Christmas is the feast of light and good feelings, and just this present to people joy and serenity; just few people enjoy darkness after all.
Well, this story sums all these thematic together. 
The main character Carol, hates Christmas because of a real sad fact happened during the Christmas Day. She was little, it was true, and so with the time she should have re-started to celebrate Christmas, but...Simply she could not. She hadn't the sufficient strength for thinking that Christmas was a beauty event.
That night Carol went to work, not wanting to celebrate Christmas as she did everyday, although that one was a special day. She will meet all along her way, in her workplace strange, weird workers; people she didn't know at all. A man with a white beard, other one who will cuddle her with delicious meals, other one who will be in grade to let her see at the end the beauty of the feast and simply all the magic of Christmas and the possibility, for every man or woman of a new beginning.
Beautiful. Not too much dialogue, a lot of narration plenty of suggestions.

Highly recommended.

Anna Maria Polidori 

Friday, January 24, 2020

Juliette Victor Hugo, mon Fol Amour by Patrick Tudoret is a wonderful book, plenty of pathos

Juliette Victor Hugo,
mon Fol Amour by Patrick Tudoret is a wonderful book, plenty of pathos and beauty published by Editions Tallandier. I have always admired Victor Hugo's brain, and intellect. One of the finest minds of our world's literature. I didn't know a lot about his private life and I was absolutely at the obscure that a long long liaison, 60 years! of love marked his existence: the one with Juliette Drouet. 
Born on 1806 Juliette  as you will read in the book, remained orphan pretty soon. She stayed at the house of an uncle for some while but later she was admitted in a convent in Paris,  where she studied, she was very intelligent, and where she was starting to become a nun, but obviously this one was not what she would have done in her life.
Once she didn't live anymore in the convent, she became the lover of James Pradier with which she had after a year a baby, Claire, disappeared tragically because of consumption when a teenager. Then it was the turn of an italian man, Peruzzi. 
Very beauty, Juliette started to working at theater being a good actress. Her meeting with Victor Hugo the first time in 1832 during the show of Lucrèce Borgia, but it's in 1833 when she was 26  that the two will start officially their relationship. Hugo at that time was depressed; his wife had a lover, he was betrayed under many ways and he didn't see any escapism. His escapism for the rest of his existence, he survived other 10 years after Juliette's death, will be this girl and later, woman.
In the book Juliette will tell: "Comme femme n’a jamais aimé homme, comme un être n’a
jamais aimé un autre être," As a woman I haven't never loved a man, but as a being I haven't never loved another being."
She would have followed him during the time of the exile, and Juliette was there for him in every occasion as also did Hugo. 
At a certain point in the book, old Juliette writes: "Je suis trop âgée aujourd’hui pour ignorer que l’amour évolue, ou plutôt qu’il change" I am too old today for ignoring that love is in constant evolution, or maybe, just this, it changes."  
Many sacrifices were made by Juliette. During a romantic trip, in 17-18 november 1839 the couple celebrated their mariage d'amour, marriage of love without of course any priest close to them. It was a marriage of the heart. At the same time that night Juliette renounced at her career while Hugo promised of loving her all his life. A date this one celebrated by the couple every year, for the rest of their existence.
This book is plenty of pathos, it seems like to read a confession, a memoir of the same Juliette.

In this part of the book Juliette will confess: 

"Avec lui, j’ai exulté de joie, de plaisir, mais j’ai souffert aussi... J’ai envié, j’ai prié, mais surtout j’ai aimé. Je le jure devant tous, j’ai aimé ! Je l’ai aimé, ce Victor, comme une folle, malgré moi, malgré lui, malgré le monde entier, grâce à Dieu et
malgré le diable qui, parfois, s’en mêla aussi…" With him I exulted for joy, pleasure but at the same time I suffer a lot...I envied, I prayed but most of all I loved. I swear it to the entire world, I loved! I loved Victor as a fool, despite me, despite him, despite the entire world, thank to Lord e despite the devil who, sometimes put his hands in our existence."

Hugo sent a letter to her lover on April 11 1883 plenty of pathos where he remarked his hope of dying with her, at the same time of her because terribly in love with her. 

There is an anedoct to tell: although these two people stayed together for 60 years, when Juliette died, for a story of reputation, Victor Hugo did not attend her funeral. It sounds the only weird act of this man. 

In her grave there is written: 

Quand je ne serai plus qu’une cendre glacée,
Quand mes yeux fatigués seront fermés au jour,
Dis-toi, si dans ton cœur ma mémoire est fixée :
Le monde a sa pensée. Moi, j’avais son amour !

Beautiful, romantic, I remain always enchanted by the beauty of french words, and their power.  Read it!

I thank Editions Tallandier for the copy of this book.

Anna Maria Polidori